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Project Overview
Çatalhöyük is a 9000 year old town, one of the earliest in the world, with rich
art and sculpture in its houses. A Site Management Plan has been written (see
www.catalhoyuk.com) and the site is on Turkey’s application list for UNESCO
World Heritage status.
Threats. The houses at Çatalhöyük are all made of unfired mudbrick and so
offer a major challenge for conservation and site presentation. The walls are
plastered and the plasters are a soft lime-rich mud (not fired or hardened), and
there may be up to 450 thin layers of such fragile plasters on any wall, only
some layers having been painted. The site was first excavated by James
Mellaart in 1961-1965.
His excavation ended abruptly and large areas of housing (about 220 houses)
and high profiles (up to 10 m high) were left exposed. These areas have
suffered intense erosion and the loss of buildings, wall paintings, wall
sculptures, burials with high-value objects. There has also been much change
in land management in the area over recent decades leading to a major drop in
water table and changes in runoff and erosion. These factors have also caused
gullying and loss of buildings in some areas of the site.
Methods and scientific techniques. Conservation research over the period
since the new project began (1993) under my direction, has been conducted by
the University of Pennsylvania (Dr Frank Matero) and by the University College
London Conservation Department (Dr Liz Pye). The end result has been a
program of work that has involved, as its most important element, covering the
exposed areas, and filling in eroded zones.
Since the Site Management Plan calls for opening up the site for display,
conservation under shelter of newly excavated houses has been undertaken,
involving a range of consolidants for wall plasters, grouts for keeping them on
walls and for stabilizing walls, methods for separating and lifting wall and
plaster segments, and careful monitoring of humidity, temperature, and wall
movement. A detailed recording system has been set in place involving digital
photography and a computer database of information about each wall.
Areas conserved in 2005. In 2005, funding was contributed by GHF to the
Çatalhöyük Project for conservation and public presentation work at the site in
the Konya region of Turkey. The areas conserved are shown on the attached
map. 3 houses were conserved within the South area shelter, and 25 houses in
the North area.
Conservation progress. The larger-scale conservation made possible with the
help of GHF support in 2005 has now allowed large areas of buildings in the
North area to be conserved. The aim over the next two years in the North area
is to provide a permanent cover (like that over the South area) and to complete
excavation and conservation of another 25 houses. These can then be stabilized
and placed on long-term display.
In the South area itself, further work is needed as the pressure of the mound
on the deep trenches causes additional conservation challenges. These issues
are being explored by careful monitoring of changes in micro-environment
throughout the year, and by careful monitoring of the interventions that have
been made. The end result will be a further 30 houses at different levels within
the mound conserved for the long term. The success of this work is having a
major impact on the way that such sites are managed and developed in Turkey.
Above: New display panels in the South Shelter.
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| Above: New display panels in the South Shelter. |
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| Above and Below: South Area before and after conservation. |
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| Above and Below: South Area before and after conservation. |
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Site Presentation. GHF funds were used to enhance Çatalhöyük as a heritage
site that can attract tourists. The numbers of visitors to the site each year have
increased from about 100 in 1993 to 11,000 in 2004 and 13,000 in 2005. But the
amount of information available to visitors has been minimal, with little site
interpretation or facilities. The GHF funding in 2005 allowed improvements to
be made so that the project can move towards its goal of 50,000 to 100,000
visitors a year.
The Visitor Center was totally redesigned and repainted. Funding from GHF
provided support for Dr. Nick Merriman and three students from London
University to work with local laborers and firms, and to purchase materials. All
the 25 panels in the Visitor Center were redesigned and remade. The space was
redesigned with a central video area screened off from the display area. Older
exhibits were dismantled and the whole space and entry area were repainted.
New display panels were installed in the North and South shelters.
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| Above: New Visitor Center and Site Interpretation Panels were funded by GHF in 2005. |
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Training. Three Turkish students received conservation training in 2005 as well
as six international students. The training was provided by the University
College London team. Because of the large areas of wall plaster that need
conserving, we have also trained six women from the local community near the
site to remove the 100s of layers of plasters on the walls looking for wall
paintings under the guidance of trained conservators. These will be employed
again in future years, and their expertise will be expanded and added to.
In addition, 4 men from the local community were trained in aspects of site
presentation, especially the preparation of display panels, and the guiding of
visitors around the site. 600 children from schools in the region each spent a
day at the site learning about the value of archaeology, the conservation of
Turkey’s heritage, and the protection of sites such as Çatalhöyük.
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| Above: Local women removing plaster layers on walls, looking for paintings. Below: Wall painting at Çatalhöyük which has been lifted and prepared for display in Konya
Museum. |
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| Below: Visitors listening to audio guide while walking through site. |
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Conservation Project Backgrounder
Catalhöyük is an example of the important Anatolian contribution to the
development of early societies. A site of this importance for Turkish and global
heritage needs careful conservation and presentation to the public. It poses
problems of conservation of mud brick and wall plaster, and problems of site
management which have a wider applicability to many sites in the Eastern
Mediterranean.
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| Above: Reconstruction drawing of a house or shrine excavated in the 1960s by James
Mellaart |
Excavated by James Mellaart in the early 1960s, the site has been widely
recognized as of unique international significance. The popular Collins guide to
Turkey is one of many that describe Çatalhöyük as 'probably the most
important archaeological site in Turkey'. It is one of the first urban centres in
the world (at 7400BC) and it has the first wall paintings and mural art. The
spectacular art provides a direct window into life 9000 years ago, and the site
is an internationally important key for our understanding of the origins of
agriculture and civilisation.
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| Above: Map of Çatalhöyük. The GHF-supported conservation took place in the North (including
4040) and South areas. |
The aims of the current international project at Çatalhöyük involve full-scale
modern archaeological excavation and conservation, and promotion of the site
for visitor access. Archaeological excavation and conservation by an
international team started in 1993 under the direction of Dr Ian Hodder of the
Çatalhöyük Research Project, Stanford University, under the auspices of the
British Institute of Archaeology at Ankara, with a permit from the Turkish
Ministry of Culture and Tourism, and in close collaboration with the University
of California at Berkeley, London University, Istanbul University, Selcuk
University, and Poznan University. The work aims at extensive uncovering of
new areas of the site and the recovery, conservation and presentation of
paintings and sculpture. The work is planned to continue over 25 years.
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| Above: View from outside the South Shelter. Below: View inside the South Shelter. |
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| View of the mound from the air in 1997 |
The ultimate aim is to provide the Turkish Ministry of Culture and Tourism with
a well planned heritage site. (For the Site Management Plan click here.)
Visitors are able to experience the site in a number of ways. A conservation
laboratory has been built and the latest techniques applied. The aim is that the
conserved wall paintings, sculptures, textiles, wooden and ceramic artifacts
will be placed on display in a site museum, enhanced by virtual reality
techniques and interactive video.
Replicas of some of the paintings are being placed back in conserved houses on
the site, under a range of shelters. Part of the site is being covered so that the
ancient houses are protected and so that visitors can walk around a Neolithic
village. An experimental house has been built for tourist entry. By providing a
range of visitor experiences the full heritage potential of the site can begin to
be exploited.
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| View of the dig house where team members live and work during the excavation season. |
The main research direction is to place the paintings and symbolism within a
full environmental, economic and social context. Central questions concern the
origins of the site and its early development, social and economic organisation
and variation within the community, the reasons for the adoption and
intensification of agriculture, the social context for the early use of pottery,
temporal trends in the life of the community, trade and relations with other
sites in the region.
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| Shelter over Building 5, on display for visitors. |
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Conservation Leadership
McDonald Institute for Archaeological Research
Dr. Ian Hodder, Stanford University
Project Members
| Project Director: |
Ian Hodder |
Field Director & Project
Coordinator: |
Shahina Farid. |
| Project Administration: |
Katerina Johnson. |
| Computing: |
Mirza Baig (McDonald Institute for Archaeological Research)
Rich May, Mia Ridge, Peter Rauxloh (Museum of London Systems
Team). |
| Webmaster: |
Jason Quinlan |
| 4040 excavations: |
Pia Andersson, Doru Bogdan, Predrag Dakić, Dan Eddisford, Huseyin
Kamalak, Rahmat Seresty, Tatiana Stefanova, Dan Thompson, Ruth
Tringham, Emma Twigger, Selcan Yalçin, Lisa Yeomans, Mehmet
Yürük, Candemir Zoroğlu. |
| Stanford Field Team: |
Ulrike Krotscheck , Serena Love, Martin Corpos, Karis Eklund, Darin
Nee, Stephanie Selover, Inga Small. |
| Berkeley Field School: |
Burcu Tung, Medha Garg, Shanti Morell-Hart, Ona Johnson, Elizabeth
Lee, Sheila Rajashekara, Valeriano Saucedo III, Elizabeth Tien Ha. |
| TP excavations: |
Arkadiusz Marciniak, Lech Czerniak, Adam Golanski, Arkadiusz
Klimowicz, Ryszard Mikula, Kinga Vorbrich, Szymon Zdzieblowski. |
| South Area excavations: |
Serdar Cengiz, Gareth Chaffey, Peter Conelly, Bleda Düring,
Konstantinos Koutsadelis, Simon McCann, Alex Pryor, Roddy Regan,
Beliz Tercirli, Richard Turnbull, Vahit Tursun. |
| Illustration: |
John Gordon Swogger. |
| Post Excavation Building
Plans: |
Sophie Lamb. |
| Geomatics: |
Duncan Lees, Daniel Waterfall. |
| Finds: |
Freja Evans Swogger, Maria Duggan, Demet Güral. |
| Heavy Residue: |
Slobodan Mitrović |
| Conservation: |
Liz Pye, Dean Sully, Brigid Gallagher, James Hales, Duygu
Camurcuoğlu-Cleere, Louise Cooke, Nichole Doub, Margrethe Felter,
Ina St. George, Trini Rico, Jackie Zak. |
| Image and Media: |
Michael Ashley , Jason Quinlan. |
| Faunal Team: |
Louise Martin, Nerissa Russell, Sheelagh Frame, Katheryn Twiss, Banu
Aydinoğluğil, Claire Christensen, Rebecca Daly, Kamilla Pawlowska. |
| Amphibian & small
mammals: |
Rhian Mayon-White, Emma Jenkins |
| Human Remains: |
Simon Hillson, Clark Larsen , Lori Hager, Başak Boz, Silvia Maria
Bello, Sally Graver, Scott Haddow, Marin Pilloud. |
| Palaeoethnobotany: |
Amy Bogaard, Michael Charles, Nicola Stone, Dragana Milosević Marek
Polcyn. |
| Charcoal Analysis: |
Eleni Asouti. |
| Isotope Analysis: |
Jessica Pearson , Mike Richards . |
| Micromorphology: |
Wendy Matthews, Lisa-Marie Shillito. |
| Phytoliths: |
Arlene Rosen , Emma Jenkins. Phytolith analysis for the Footprint Project |
| Chipped Stone: |
Tristan Carter , Marina Milić, Sarah Delerue, Ana Spasojević, Tiffany
Raszick, Marcin Was. |
| Ground Stone: |
Katherine (Karen) Wright , Adnan Baysal. |
| Ceramics: |
Nurcan Yalman. |
| Clay balls & Geometric
Shapes: |
Sonya Atalay, Ted Mendoza. |
| Figurines & Miniature
Clay Objects: |
Lynn Meskell, Carolyn Nakamura. |
| Clay Stamp Seals: |
Ali Ümut Türkcan. |
| Architectural Analysis: |
Mirjana Stevanović. |
| Ethnoarchaeology: |
Nurcan Yalman. |
| Social Anthropology: |
Pia Andersson, Damla Işik |
| Site Presentation &
Interpretation: |
Nick Merriman. |
| West Mound Study
Season: |
Catriona Gibson, Jonathan Last, Mark Roughley. |
| TEMPER: |
Louise Doughty. |
| Summer School
Workshop: |
Gülay Sert, Melda Bağdatli, Nuray Kaygaz. |
| Research Projects: |
Sharon Moses, Jen Coolidge, David Meiggs, Burcu Tung, Karl Harrison,
Amber Creighton, Steve Mills, Jackie Zak. |
| Biographer: |
Michael Balter. |
| Artist in Residence: |
Adrienne Momi. |
| Camp Manager: |
Levent Özer. |
| Site Custodians: |
Mustafa Tokyağsun, Hasan Tokyağsun, Ibrahim Eken. |
| House Staff: |
Ismail Salmancı, Rükiye Salmancı, Nevriye Şener, Mavili Tokyağsun,
Fadim Yasli. |
| Site Workmen: |
Arif Arslan, Mevlut Sivas, Mustafa Sivas, Hülusi Yaşlı, Osman Yasli, Ali
Kucukavcilar, Ertan Kuşçuoğlu, Sadet Kuşçuoğlu |
| Residue Sorters: |
Saliha Sivas, Fadimana Yaşlı, Fatima Yaşlı, Hatice Yaşlı, Rabia Yaşlı,
Suna Yaşlı |
| Weaving Team: |
Nurşen Yilmaz (Çumra Belediyesi), Fatima Can, Mavili Ersöz. |
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| Ian Hodder
Professor
Ph.D. Cambridge, 1974 |
ihodder@stanford.edu
Tel: 723-1197 / 723-5038
office: 110-111D
office hours: W 12-2 |
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Ian Hodder joined the Department of Cultural and Social
Anthropology in September of 1999. Among his publications are:
Symbols in Action (Cambridge 1982), Reading the Past (Cambridge
1986), The Domestication of Europe (Oxford 1990), and The
Archaeological Process (Oxford 1999). He is continuing his
research into archaeological theory and has recently published a
volume of his collected papers 'Archaeology beyond Dialogue'
(Utah 2004). |
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| Professor Hodder has been conducting the excavation of the 9,000
year-old Neolithic site of Catalhöyük in central Turkey. The 25-
year project has three aims - to place the art from the site in its
full environmental, economic and social context, to conserve the
paintings, plasters and mud walls, and to present the site to the
public. The project is also associated with attempts to develop
reflexive methods in archaeology. Dr. Hodder is currently the
Dunlevie Family Professor of Archaeology at Stanford University. |
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