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Situated on the shores of the Bay of Bengal,
the remarkable Sun Temple at Konarak (also
called the Black Pagoda) was built as a representation
of Surya's heavenly vehicle - the chariot. Surya,
the sun god, would drive his golden chariot through
the sky each day, the arc of his journey signaling
the arc of each day's passing. Konarak's Sun Temple
rises above the horizon in all its majestic glory
as a terrestrial symbol of Surya's golden chariot
flying through the sky. The temple, built by King
Narasimhadeva (AD 1238-1264) in the middle of the
13th century, is one of the most famous Brahman sanctuaries
in India and marks the culmination of the Orissan
architectural style. Over the centuries the structures
have been battered by sea winds carrying both salt
and sand, eroding many of the superb sculptures and
causing one of the structures to collapse.
The entire temple at Konarak was conceived as a giant
chariot, complete with twelve sets of wheels and seven
horses (one of which is missing) to pull the structure
through the air. The wheels, each about three metres
in diameter, are carved in relief along the longer
sides of the platform upon which the temple stands.
They are remarkable for their extensive detail and
elaborate design: each wheel is rendered with intricately
carved spokes, hub and pins. Seven colossal, freestanding
statues of galloping horses stand in front of the
main entrance.
The temple proper originally consisted of three parts:
a sanctuary (Deul) topped by a colossal spiral
tower, a porch (Jagmohana) with a pyramidal
roof, and a dance hall (Natamandira). The sanctuary
and porch were situated atop the stone platform, while
the dance hall was a separate structure. Today, the
sanctuary lies in ruins and the tower has disappeared,
but the Jagmohana and Natamandira remain intact, the
last remnants of Orissa's once magnificent temples.
Both temples are famous not only for their architectural
grandeur but also for the outstanding craftsmanship
of the sculptural work on their walls. Thousands of
images grace the temple walls; images of deities and
dancers, nymphs and warriors, scenes of courtly life,
erotic images, a wealth of intricate botanical and
geometric designs, and myriad depictions of animals,
both mythical and real. Also notable are the monumental
statues of female musicians symbolically announcing
the arrival of Surya's chariot. There are also three
superb life-size statues of the sun god, done in green
chlorite.
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